The
Trenton Times
"Anytown'
Puts Trenton on Map"
Monday,
May 02, 2005
By JOYCE J. PERSICO
Staff Writer
TRENTON - New Jersey
GOP gubernatorial candidate Steven Lonegan attended a movie at the
Trenton Film Festival yesterday and emerged the reluctant star of
what could become a political football, thanks to his warts-and-all
portrait in the documentary about his 2003 race for re-election
as mayor of Bogota, N.J.
The documentary "Anytown,
U.S.A." was intended to depict a microcosm of American voting habits.
But Lonegan's bid for governor will probably not be helped by what
director Kristian Fraga culled from 300 hours of tape on Lonegan
and his two opponents.
"We didn't go out of
our way to make him look bad," Fraga said yesterday, following the
film's afternoon showing at the state museum - which drew the largest
crowd of the three-day festival. "But if I aimed a camera at you
for months, you'd forget it was in the room too." In
the film, an unguarded Lonegan appears dismissive of Bogota residents
and their complaints about cuts in city services and schools, uses
a small tabloid he owns called The Bogotian to publish false charges
against his rivals and shrugs off the tumor-induced sight impairment
of one of his opponents, underdog independent write-in candidate
Dave Musikant.
"I thought it was great,"
a smiling, seemingly unflappable Lonegan stated as he exited the
state museum theater with his wife. "I got a lot of laughs."
"I'm just sorry about
the way it ended," said his wife, Lorraine, referring to the epilogue
of candidate Musikant's death following the election.
Charges that Lonegan
supporters wanted to buy out yesterday's New Jersey premiere came
both from film festival personnel and the film's producer, Juan
Dominguez, a Bogota native who showed the film at his home to Lonegan
Wednesday.
"We heard about that
(rumor) and we made sure there would be a balanced audience," Dominguez
said of the film, which received a standing ovation from the nearly
300 audience members. Festival organizers moved the documentary
to the state museum when it sold out at the much smaller Contemporary
venue earlier in the week.
Following the showing
yesterday - in a scene that looked like something out of a movie
- Lonegan, fellow politicians, a famed campaign manager, and a crowd
of potential New Jersey voters spilled onto the lawn of the state
museum, fired up by the 85-minute film that was the best-attended
in the festival's brief two-year history.
On tape, Lonegan and
his opponents - Democrat Fred Pesce and independent write-in candidate
Musikant - don't seem to hold back from the cameras.
While Pesce emerges as
an easygoing but tired and lackluster candidate, Lonegan is portrayed
as a status-quo politician with little regard for his constituents.
He dismisses the likable underdog Musikant who, like Lonegan, is
partially blind, as someone who "lives in the basement of his sister's
house" and ignores Musikant's candidacy until the final days of
the campaign.
All three candidates
- not to mention the voters of Bogota - appear to be inadvertently
comical in the film that has yet to find a distributor.
When an Associated Press
reporter asks Pesce to list his major campaign issues, Pesce says
he has four and then can't name one. Lonegan makes the rounds of
Bogota neighborhoods only to walk away from homes he thinks belong
to Democrats. The affable Musikant, who died shortly after the election,
sings the theme song to "Mister Rogers' Neighborhood" as he tries
to drum up votes.
Yesterday, the campaign
manager of former wrestler Jesse Ventura's successful Minnesota
gubernatorial campaign, Doug Friedline, mingled with the crowd that
stood outside the museum for a short question-and-answer session.
Now working with former
"Saturday Night Live" comedian Joe Piscopo on a possible gubernatorial
bid, Friedline is in the film as Musikant's campaign manager.
George Shalhoub, a Bogota
city councilman who ran on Lonegan's ticket in 2003, took it all
in stride, even though he gets some of the biggest laughs in the
movie with such comments as his reference to the legally blind Musikant
as a candidate in "need of a vision."
"Hey, it's just politics,"
he explained, greeting Friedline outside the museum. "I probably
sat down for 10 hours out of hundreds of hours of film. Steve (Lonegan)
will not stop. He's a brilliant guy."
The success of "Anytown,
U.S.A." is a reflection of the growing audience the fledgling Trenton
Film Festival is attracting. According to Dan Noonan, festival ticket
manager, attendance rose to 1,600 for the event that ended last
night. That's an increase of 400 over last year's fest.
"We've only been in Trenton
two-and-a-half hours and so far Trenton is great," director Eli
Despres shouted from the state museum stage following Friday night's
screening of his film "Wilderness Camp for Girls." He and co-director
wife, Kim Roberts, walked around town while their film unreeled.
"I'm a film buff," explained
Trenton resident Reginald Ellis, who attended Matt Zoller Seitz's
"Home" Saturday afternoon. "I'm going to see a few films."
Hopewell resident Joan
Arkuzewski volunteered to help at the festival because she wants
"to get more involved in Trenton." And Joshua Kane of Glassboro
hung around after showing his movie, "Arise," about a cafe.
Longtime Trenton residents
noted yesterday that the nearly filled auditorium for "Anytown,
U.S.A.," represented the first time in nearly 30 years that patrons
were able to see a movie in the city.
"We're growing," festival
director Kevin Williams said in the midst of the weekend activities
that fell under the motto "three days, four venues, 90 films."
Among the activities
connected to the screenings at the state museum, the Trenton Marriott
at Lafayette Yard, The Contemporary and Gallery 125 were a buffet
under tents Friday night, a meet-and-greet with filmmakers at Mill
Hill Saloon Saturday night, and an awards ceremony last night that
included Ernie I-Beam awards for "Home" (Best Narrative Feature),
"Big Question" (Best Documentary Feature), and "Moonless Night"
(Best Foreign Film).
Sponsored by various
area businesses and run by the non-profit Trenton Film Society,
the festival is designed to cultivate a film community in a city
that hasn't had a commercial theater operating since 1976.
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